{"id":8521,"date":"2024-07-30T15:03:50","date_gmt":"2024-07-30T14:03:50","guid":{"rendered":"https:\/\/chriswright.photography\/?p=8521"},"modified":"2024-08-02T13:27:36","modified_gmt":"2024-08-02T12:27:36","slug":"dxo-photolab-and-affinity-photo","status":"publish","type":"post","link":"https:\/\/chriswright.photography\/es\/dxo-photolab-and-affinity-photo\/","title":{"rendered":"DxO PhotoLab y Affinity Photo"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Hace un par de semanas publiqu\u00e9 un v\u00eddeo en YouTube en el que mencion\u00e9 el apilamiento de enfoque. Tuve algunas preguntas al respecto y un amigo mencion\u00f3 que ten\u00eda la intenci\u00f3n de usar una combinaci\u00f3n de DxO PhotoLab y Affinity Photo en lugar de mi flujo de trabajo favorito (para edici\u00f3n basada en capas) de Adobe Lightroom y Photoshop.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Me sent\u00ed intrigado y decid\u00ed hacer algunas pruebas para ver cu\u00e1l es mejor.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Los resultados se pueden ver aqu\u00ed.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Video<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Apilamiento de enfoque: \u00bfPhotoLab y Affinity Photo son mejores que Lightroom y Photoshop?\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/YlG6VABdyXY?start=30&#038;feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">M\u00e9todo<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Decid\u00ed utilizar Focus Stacking como banco de pruebas. Recientemente tuve algunos problemas con la incapacidad de Photoshop para distinguir entre desenfoque de movimiento y desenfoque de enfoque, pero eso no fue inesperado, es un caso de uso dif\u00edcil. Sin embargo, debo mencionar que Affinity Photo lo logr\u00f3 a la primera. Entonces ah\u00ed est\u00e1 eso.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Esta vez decid\u00ed utilizar un caso mucho m\u00e1s sencillo. Una lente gran angular, una cascada y una roca en primer plano. Es el caso cl\u00e1sico en el que no hay ning\u00fan ajuste que muestre algo a un pie delante de la lente con la misma nitidez que un fondo que est\u00e1 a treinta metros de distancia de la c\u00e1mara.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Film\u00e9 tres fotogramas, primer plano, medio y fondo, y los dupliqu\u00e9 para que las pruebas fueran completamente independientes entre s\u00ed.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En ambos casos realic\u00e9 ediciones b\u00e1sicas ajustando luz, contraste y tono.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Procesamiento basado en capas en PhotoShop<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Export\u00e9 las tres im\u00e1genes como capas a Photoshop, ejecut\u00e9 la alineaci\u00f3n y la fusi\u00f3n autom\u00e1ticas. Los resultados fueron buenos, como esperaba. Sin embargo, el escrutinio de las m\u00e1scaras dej\u00f3 bastante que desear. La m\u00e1scara de fondo ten\u00eda numerosos agujeros usando p\u00edxeles de la capa intermedia donde rechazaba los de la capa de fondo. Hubo muy poca diferencia en la nitidez de las capas intermedias y de fondo, pero Photoshop pareci\u00f3 seleccionar la mayor\u00eda, correctamente de la capa de fondo y algo de la capa intermedia. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Esto es bastante com\u00fan con Photoshop, pero no deber\u00eda serlo, especialmente en \u00e1reas en las que no esperar\u00edas que el enfoque fuera igualmente n\u00edtido.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Es f\u00e1cil de rectificar, simplemente haga visible la m\u00e1scara y pinte de blanco (revela) para que todo el fondo de la capa de fondo se use en la foto fusionada. Luego toma la m\u00e1scara del medio y del primer plano y pinta de negro (oculta) las \u00e1reas que no quieres ver en el tercio superior de la imagen fusionada.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Procesamiento basado en capas en Affinity Photo<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Calidu\u00e9 las im\u00e1genes en DxO PhotoLab de la misma manera que lo hice en Lightroom, ajustes b\u00e1sicos de luz, contraste y tono. Luego export\u00e9 las im\u00e1genes al disco como tiffs de 16 bits. Podr\u00eda haber exportado los archivos directamente a Affinity, pero no soy un experto y me preguntaba si eso podr\u00eda abrir los archivos en Develop Persona. Lo comprobar\u00e9 en alg\u00fan momento.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En su lugar, export\u00e9 los archivos al sistema de archivos y los abr\u00ed en Photo Persone, eligiendo Nuevo \u2013 Focus Merge en el men\u00fa Photo Persona.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">La Mezcla tuvo lugar frente a mis ojos en unos diez segundos. Lo inspeccion\u00e9 en tama\u00f1o 100% y estaba impecable. Tanto es as\u00ed que cuando intent\u00e9 hacer una demostraci\u00f3n del proceso de correcci\u00f3n en el v\u00eddeo, me result\u00f3 imposible encontrar algo que corregir.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En lugar de eso, utilic\u00e9 el proceso de correcci\u00f3n para revertir una peque\u00f1a secci\u00f3n de la foto fusionada a la capa incorrecta, importando as\u00ed algunos p\u00edxeles borrosos al fondo. Pude hacer esto y recuperar los p\u00edxeles correctos sin problemas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Vale la pena mencionar que la forma en que Affinity Photo corrige las fusiones de enfoque es clonando los p\u00edxeles de la capa que identificas en el visor de capas. Dado que las im\u00e1genes est\u00e1n perfectamente alineadas, esto tiene cierto sentido y podr\u00eda decirse que es m\u00e1s f\u00e1cil para los nuevos fot\u00f3grafos hacerlo de esta manera.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">\u00bfEs DxO PhotoLab y Affinity Photo una combinaci\u00f3n ganadora?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Todav\u00eda no he probado Affinity Photo lo suficiente como para ser definitivo sobre esta pregunta, pero en t\u00e9rminos de apilamiento de enfoque, prefiero la salida de Affinity y PhotoLab a la de Photoshop y Lightroom. Una visi\u00f3n subjetiva, pero la salida de Affinity\/PhotoLab parec\u00eda m\u00e1s realista, m\u00e1s n\u00edtida y menos \u201cdigital\u201d. Al menos a mis ojos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lo que Affinity Photo aporta al flujo de trabajo de DxO es el procesamiento basado en capas. Lo que esto significa es que puede ampliar el rango din\u00e1mico de una imagen mediante el uso de mapeo de tonos (HDR), puede crear fotograf\u00edas compuestas, importando elementos de una fotograf\u00eda para usar en otra, puede apilar el enfoque con un nivel razonable de confianza y Utilice todos los modos de fusi\u00f3n para alterar la apariencia de una imagen compuesta de m\u00faltiples capas.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Adem\u00e1s, Affinity Photo es econ\u00f3mico, una compra \u00fanica sin plan de suscripci\u00f3n y actualizaciones gratuitas dentro de los lanzamientos de versiones. Canva se hizo cargo de la empresa en una medida que inicialmente no inspira confianza, pero veamos c\u00f3mo se desarrolla en los pr\u00f3ximos doce meses.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Pr\u00f3ximos pasos<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Tengo Affinity Photo en una prueba de seis meses. Esa es la versi\u00f3n completa e ilimitada. Animo a cualquiera que est\u00e9 interesado a que lo pruebe. Estoy lo suficientemente impresionado como para querer continuar la prueba y experimentar con el resto de las funciones de la aplicaci\u00f3n. \u00a1Espere ver m\u00e1s art\u00edculos y videos sobre este tema!<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Obtenga la versi\u00f3n de prueba de Affinity Photo 2<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Puede obtener 50% de descuento sobre el precio est\u00e1ndar hasta el 15 de agosto de 2024, es decir, 37,49 \u20ac o 32 \u00a3. Tambi\u00e9n hay disponible una prueba de seis meses, con todas las funciones y sin marcas de agua. Lo inteligente ser\u00eda hacerse la prueba y decidir antes del 15 de agosto si merece la pena la inversi\u00f3n.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/affinity.serif.com\/en-gb\/photo\/\" target=\"_blank\" data-type=\"link\" data-id=\"https:\/\/affinity.serif.com\/en-gb\/photo\/\" rel=\"noreferrer noopener\">Affinity Photo 2: pru\u00e9balo o c\u00f3mpralo.<\/a><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Otras lecturas<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/chriswright.photography\/es\/dxo-photolab-7-review\/\" data-type=\"post\" data-id=\"7169\">Revisi\u00f3n de DxO PhotoLab 7<\/a><\/p>\n\n\n<style>.kb-row-layout-id3919_a50959-24 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id3919_a50959-24 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id3919_a50959-24 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);max-width:var( 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Tuve algunas preguntas al respecto y un amigo mencion\u00f3 que ten\u00eda la intenci\u00f3n de usar una combinaci\u00f3n de DxO PhotoLab y Affinity Photo en lugar de mi flujo de trabajo favorito (para edici\u00f3n basada en capas) de Adobe Lightroom y Photoshop\u2026.<\/p>\n<div class=\"excerpt_sharing_after_output\">\n<div class=\"kt_simple_share_container kt-social-align-center kt-socialstyle-style_03 kt-social-size-normal kt-social-bg-transparent\"><a class=\"kt_facebook_share\" data-placement=\"bottom\" data-placement-mobile=\"bottom\" aria-label=\" Facebook\" data-tooltip=\" Facebook\" href=\"https:\/\/www.facebook.com\/sharer.php?u=https:\/\/chriswright.photography\/es\/dxo-photolab-and-affinity-photo\/\" target=\"_blank\"><span class=\"kt-social-svg-icon\"><svg viewbox=\"0 0 264 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M76.7 512V283H0v-91h76.7v-71.7C76.7 42.4 124.3 0 193.8 0c33.3 0 61.9 2.5 70.2 3.6V85h-48.2c-37.8 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