{"id":864,"date":"2021-03-08T22:48:25","date_gmt":"2021-03-08T22:48:25","guid":{"rendered":"https:\/\/chriswright.photography\/?p=864"},"modified":"2023-10-27T13:26:55","modified_gmt":"2023-10-27T12:26:55","slug":"hsl-tool-in-photolab-4","status":"publish","type":"post","link":"https:\/\/chriswright.photography\/es\/hsl-tool-in-photolab-4\/","title":{"rendered":"Herramienta HSL en PhotoLab 4"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Leer mi <a href=\"https:\/\/chriswright.photography\/es\/dxo-photolab-6-review\/\" data-type=\"post\" data-id=\"4832\">Revisi\u00f3n de DxO PhotoLab 6 aqu\u00ed<\/a>. El contenido de esta publicaci\u00f3n se aplica igualmente a PhotoLab 6.<\/p>\n\n\n<style>.kb-table-of-content-nav.kb-table-of-content-id864_181d42-55 .kb-table-of-content-wrap{padding-top:var(--global-kb-spacing-sm, 1.5rem);padding-right:var(--global-kb-spacing-sm, 1.5rem);padding-bottom:var(--global-kb-spacing-sm, 1.5rem);padding-left:var(--global-kb-spacing-sm, 1.5rem);}.kb-table-of-content-nav.kb-table-of-content-id864_181d42-55 .kb-table-of-contents-title-wrap{padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.kb-table-of-content-nav.kb-table-of-content-id864_181d42-55 .kb-table-of-contents-title{font-weight:regular;font-style:normal;}.kb-table-of-content-nav.kb-table-of-content-id864_181d42-55 .kb-table-of-content-wrap .kb-table-of-content-list{font-weight:regular;font-style:normal;margin-top:var(--global-kb-spacing-sm, 1.5rem);margin-right:0px;margin-bottom:0px;margin-left:0px;}<\/style>\n\n\n<p class=\"wp-block-paragraph\">La herramienta HSL en PhotoLab 4 es una mejora de la herramienta en la versi\u00f3n tres y proporciona una forma muy intuitiva de administrar rangos de color precisos en una imagen completa.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Video<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/-Y1Wa6UNDpM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Este video muestra c\u00f3mo utilic\u00e9 la herramienta para acentuar los colores oto\u00f1ales en un archivo RAW sin procesar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Descargo de responsabilidad: esta publicaci\u00f3n contiene enlaces a DxO, una empresa a la que me complace estar afiliado. Lo que esto significa es que si descarga una copia de prueba de esta publicaci\u00f3n, obtendr\u00e9 una agradable sensaci\u00f3n de calidez y una peque\u00f1a recompensa. \u00a1Obtendr\u00e1 una gran pieza de software!<\/em><\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Resumen<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Esta secci\u00f3n es una descripci\u00f3n general del contenido del video.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">La herramienta HSL en PhotoLab 4<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">La herramienta vive en la secci\u00f3n de color de las herramientas, debajo de las herramientas familiares que controlan el balance de blancos, la reproducci\u00f3n del color y la tonificaci\u00f3n. Consiste en una rueda que controla todo el espectro de colores con una &quot;ventana&quot; que define el inicio y el final del rango (las dos manijas en el interior) y el difuminado en los colores vecinos (las dos manijas en el exterior. La manija \u00fanica en el per\u00edmetro del c\u00edrculo cambia el valor del rango seleccionado.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DxO ha proporcionado ocho canales de color, rojo, naranja, amarillo, verde, azul, morado y magenta que dan una ventana predefinida. El punto blanco al principio de la fila contiene todos los colores,<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Si selecciona uno de los puntos de colores, ver\u00e1 inmediatamente la ventana que DxO ha definido. No todas las ventanas son iguales; esto es de sentido com\u00fan, si miras la rueda, ver\u00e1s, por ejemplo, que el verde tiene un rango mucho m\u00e1s amplio que el amarillo y esto se refleja en el tama\u00f1o del rango predefinido.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Debajo de la rueda, ver\u00e1 controles deslizantes para Saturaci\u00f3n y cuando se seleccione un punto de color, Luminancia y Uniformidad.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El flujo de trabajo es sencillo: primero, seleccione su rango de color, luego ajuste la saturaci\u00f3n (riqueza), la luminancia (brillo) y, si es necesario, la uniformidad (homogeneidad). Tenga en cuenta que el control deslizante Uniformidad tiene el efecto de hacer que los colores de un rango sean m\u00e1s similares. \u00datil para retratos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Los puntos blancos debajo de las manchas de color en la parte superior le indican qu\u00e9 colores se han modificado.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un caso de uso para la rueda de colores es seleccionar los rangos de color que est\u00e1n disponibles en la imagen. Esto no siempre es obvio y un buen truco para establecerlo es pasar por el punto de la rueda de color al empujar la saturaci\u00f3n al extremo para ver si el rango de color est\u00e1 presente en alg\u00fan grado que valga la pena ajustar. Regrese el control deslizante a casi el punto medio y podr\u00e1 ver despu\u00e9s de completar la secuencia, con qu\u00e9 colores tiene que jugar.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Otro caso de uso es simplemente seleccionar la gama de colores a trav\u00e9s del punto. En la imagen que he usado, es f\u00e1cil ver que el amarillo y el naranja son buenos candidatos si quiero acentuar el follaje oto\u00f1al de los \u00e1rboles. Puedo aceptar el rango predefinido asignado a la mancha, o puedo tirar de las manijas para refinarlo para mis prop\u00f3sitos.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Finalmente, puedo usar el cuentagotas en el centro de la rueda para seleccionar un color de mi imagen.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Si est\u00e1s interesado en la gradaci\u00f3n de color, echa un vistazo a mi publicaci\u00f3n <a href=\"https:\/\/chriswright.photography\/es\/color-grading-with-styles-in-lightroom\/\" data-type=\"post\" data-id=\"5894\">Clasificaci\u00f3n de color con estilos<\/a> que describe el flujo de trabajo desde la ingesta hasta la imagen terminada en Adobe Lightroom. Se aplica igualmente bien a PhotoLab<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El video es el primero de una serie que planeo hacer para demostrar la funcionalidad del conjunto de herramientas de procesamiento DxO.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Puede descargar una copia de prueba de PhotoLab 4 desde este enlace ...<br><!-- START ADVERTISER: DxO UK from awin.com --><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/www.awin1.com\/cshow.php?s=2806149&amp;v=18169&amp;q=405867&amp;r=752657\" alt=\"\"\/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.awin1.com\/cread.php?s=2806149&amp;v=18169&amp;q=405867&amp;r=752657\" target=\"_blank\" rel=\"noopener\"><br><br><\/a><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">El kit utilizado para crear la fotograf\u00eda fue:<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>C\u00e1mara<\/strong>: Canon 5D S<br><strong>Lente<\/strong>: Canon EOS 70-300 f4-5.6L<\/p>\n\n\n<style>.kb-row-layout-id3919_a50959-24 > .kt-row-column-wrap{align-content:start;}:where(.kb-row-layout-id3919_a50959-24 > .kt-row-column-wrap) > .wp-block-kadence-column{justify-content:start;}.kb-row-layout-id3919_a50959-24 > .kt-row-column-wrap{column-gap:var(--global-kb-gap-md, 2rem);row-gap:var(--global-kb-gap-md, 2rem);max-width:var( --global-content-width, 1290px );padding-left:var(--global-content-edge-padding);padding-right:var(--global-content-edge-padding);padding-top:35px;padding-bottom:25px;grid-template-columns:repeat(2, minmax(0, 1fr));}.kb-row-layout-id3919_a50959-24 > .kt-row-layout-overlay{opacity:0.30;background-color:var(--global-palette7, #EDF2F7);}@media all and (max-width: 1024px){.kb-row-layout-id3919_a50959-24 > .kt-row-column-wrap{grid-template-columns:repeat(2, minmax(0, 1fr));}}@media all and (max-width: 767px){.kb-row-layout-id3919_a50959-24 > .kt-row-column-wrap{grid-template-columns:minmax(0, 1fr);}}<\/style><div 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.kt-inside-inner-col,.kadence-column3919_1d5d28-64 > .kt-inside-inner-col:before{border-top-left-radius:0px;border-top-right-radius:0px;border-bottom-right-radius:0px;border-bottom-left-radius:0px;}.kadence-column3919_1d5d28-64 > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column3919_1d5d28-64 > .kt-inside-inner-col{flex-direction:column;}.kadence-column3919_1d5d28-64 > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column3919_1d5d28-64 > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column3919_1d5d28-64{position:relative;}@media all and (max-width: 1024px){.kadence-column3919_1d5d28-64 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column3919_1d5d28-64 > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column3919_1d5d28-64 inner-column-2\"><div class=\"kt-inside-inner-col\">\n<h2 class=\"wp-block-heading\" id=\"subscribe\">Suscribir\u2026<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lo mantendr\u00e9 informado con actualizaciones mensuales peri\u00f3dicas sobre talleres, cursos, gu\u00edas y rese\u00f1as.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Reg\u00edstrate aqu\u00ed y consigue precios especiales en todos los cursos y paseos fotogr\u00e1ficos en 2026<\/p>\n<\/div><\/div>\n\n<\/div><\/div>\n\n\n<h3 class=\"wp-block-heading\">Enlaces:<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.youtube.com\/channel\/UCFRa5FLNWbfMkHrEH_NADsQ\" target=\"_blank\" rel=\"noopener\" data-schema-attribute=\"\">Mi canal de YouTube<\/a>&nbsp;contiene videos en los que he participado y tutoriales de fotograf\u00eda. Son los primeros d\u00edas en este momento, pero espero crear una colecci\u00f3n completa de videos que muestren c\u00f3mo llevar a cabo tareas b\u00e1sicas y avanzadas en el conjunto de herramientas de procesamiento DxO.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/chriswright.photography\/es\/blog\/how-good-is-dxo-photolab-4\/\" target=\"_blank\" rel=\"noopener\" data-schema-attribute=\"\">Qu\u00e9 tan bueno es DxO PhotoLab4<\/a>&nbsp;es el art\u00edculo m\u00e1s popular que he escrito en PhotoLab.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/chriswright.photography\/es\/dxo-photolab-5-review\/\" target=\"_blank\" data-type=\"post\" data-id=\"4038\" rel=\"noreferrer noopener\">Revisi\u00f3n de DxO Photolab 5<\/a> es la informaci\u00f3n m\u00e1s actualizada en PhotoLab<\/p>","protected":false},"excerpt":{"rendered":"<p>Lea mi rese\u00f1a de DxO PhotoLab 6 aqu\u00ed. El contenido de esta publicaci\u00f3n se aplica igualmente a PhotoLab 6. La herramienta HSL en PhotoLab 4 es una mejora de la herramienta en la versi\u00f3n tres y proporciona una forma muy intuitiva de administrar rangos de color precisos en toda una imagen. 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