{"id":7907,"date":"2024-02-20T12:30:00","date_gmt":"2024-02-20T11:30:00","guid":{"rendered":"https:\/\/chriswright.photography\/?p=7907"},"modified":"2024-03-04T10:10:07","modified_gmt":"2024-03-04T09:10:07","slug":"noise-reduction-in-dxo-photolab","status":"publish","type":"post","link":"https:\/\/chriswright.photography\/fr\/noise-reduction-in-dxo-photolab\/","title":{"rendered":"R\u00e9duction du bruit dans DxO PhotoLab"},"content":{"rendered":"<h2 class=\"wp-block-heading\" id=\"face-off-dx-o-photo-lab-vs-adobe-lightroom\">Face \u00e0 face \u2013 DxO PhotoLab contre Adobe Lightroom<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Quel logiciel de r\u00e9duction du bruit est le meilleur en 2024 ? Est-ce la r\u00e9duction du bruit dans DxO PhotoLab utilisant DeepPRIME dans toutes ses versions, ou est-ce Adobe denoise, nouvellement introduit en 2023 ?<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DxO PhotoLab ou Adobe Lightroom ? <\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"video\">Vid\u00e9o<\/h2>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"R\u00e9duction du bruit - DxO vs. Adobe - S\u00e9rie DxO PhotoLab - \u00c9pisode 6\" width=\"720\" height=\"405\" src=\"https:\/\/www.youtube.com\/embed\/9orXeYmE-PQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div class=\"wp-block-rank-math-toc-block\" id=\"rank-math-toc\"><h2>Table des mati\u00e8res<\/h2><nav><ul><li><a href=\"#face-off-dx-o-photo-lab-vs-adobe-lightroom\">Face \u00e0 face \u2013 DxO PhotoLab contre Adobe Lightroom<\/a><\/li><li><a href=\"#video\">Vid\u00e9o<\/a><\/li><li><a href=\"#what-is-demosaicing\">Qu&#039;est-ce que le d\u00e9matri\u00e7age ?<\/a><\/li><li><a href=\"#what-is-noise\">Qu&#039;est-ce que le bruit ?<\/a><\/li><li><a href=\"#can-we-reduce-noise-in-the-camera\">Pouvons-nous r\u00e9duire le bruit dans l\u2019appareil photo ?<\/a><\/li><li><a href=\"#the-winner-noise-reduction-in-dx-o-photo-lab-vs-adobe-lightroom\">Le gagnant \u2013 R\u00e9duction du bruit dans DxO PhotoLab vs. Adobe Lightroom<\/a><\/li><\/ul><\/nav><\/div>\n\n\n\n<p class=\"wp-block-paragraph\">Jusqu&#039;en 2023, DxO avait une longueur d&#039;avance consid\u00e9rable sur <a href=\"https:\/\/adobe.com\" target=\"_blank\" rel=\"noopener\">Adobe<\/a> avec une capacit\u00e9 sophistiqu\u00e9e de r\u00e9duction du bruit disponible dans DxO PhotoLab et PureRAW, le plugin de pr\u00e9traitement qui permet aux utilisateurs de Lightroom de pr\u00e9traiter leurs images \u00e0 l&#039;aide de la capacit\u00e9 de DxO.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">En 2023, Adobe a toutefois franchi une nouvelle \u00e9tape. Nous allons examiner les r\u00e9sultats de l&#039;application d&#039;un logiciel de r\u00e9duction du bruit \u00e0 des images identiques \u00e0 l&#039;aide de DxO et d&#039;Adobe. Je vais utiliser DeepPRIME 3 pour effectuer ces tests, mais la technologie de DeepPRIME est disponible dans PhotoLab en quatre versions.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Haute qualit\u00e9<\/li>\n\n\n\n<li>PRIME<\/li>\n\n\n\n<li>PRIME profond<\/li>\n\n\n\n<li>PRIME XD profond<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Toutes les photos doivent probablement \u00eatre export\u00e9es en haute qualit\u00e9. Vous pouvez voir le r\u00e9sultat instantan\u00e9ment dans l\u2019aper\u00e7u. PRIME est \u00e9tiquet\u00e9 \u00ab Rendu rapide \u00bb \u2013 cela prend quelques minutes et vous ne pouvez voir le r\u00e9sultat que dans la fen\u00eatre Loupe jusqu\u2019\u00e0 ce que l\u2019image soit export\u00e9e. Deep PRIME utilise l\u2019apprentissage automatique pour d\u00e9matri\u00e7age et suppression du bruit et reconstruction de l\u2019image. DeepPRIME XD apporte une correction plus d\u00e9taill\u00e9e. Pensez-y en termes d\u2019agressivit\u00e9 \u2013 la haute qualit\u00e9 est douce tandis que Deep PRIME XD est tr\u00e8s agressif. Utilisez autant que vous en avez besoin et pas plus.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">DxO combine un processus appel\u00e9 d\u00e9matri\u00e7age avec la r\u00e9duction du bruit. Ceci est important car avant l&#039;innovation de DxO, le d\u00e9matri\u00e7age \u00e9tait effectu\u00e9 par le logiciel de conversion RAW avant la r\u00e9duction du bruit et souvent, l&#039;un affaiblissait l&#039;autre. <\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"what-is-demosaicing\">Qu&#039;est-ce que le d\u00e9matri\u00e7age ?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">En termes simples, les fichiers RAW num\u00e9riques sont compos\u00e9s de valeurs de rouge, de vert et de bleu. Presque tous les appareils photo utilisent la m\u00eame technologie dans leur capteur, quel que soit le fabricant. Connu sous le nom de capteur \u00e0 motif Bayer, ce syst\u00e8me enregistre trois canaux, le rouge, le vert et le bleu. Le d\u00e9matri\u00e7age est la reconstruction de la couleur via un algorithme, rempla\u00e7ant les valeurs de rouge, de vert ou de bleu par des valeurs de teinte et de luminosit\u00e9 pour les deux canaux manquants. Ce processus pourrait-il produire du bruit ? Hmm !<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"what-is-noise\">Qu&#039;est-ce que le bruit ?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Il existe deux types de bruit : le bruit de grenaille et le bruit num\u00e9rique. Le bruit de grenaille est une caract\u00e9ristique de la lumi\u00e8re r\u00e9fl\u00e9chie ou plus exactement des photons, qui sont \u00e9mis \u00e0 des vitesses diff\u00e9rentes. Ainsi, deux expositions d&#039;une seconde d&#039;une m\u00eame sc\u00e8ne peuvent avoir des quantit\u00e9s de bruit diff\u00e9rentes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le bruit num\u00e9rique est un sous-produit des capteurs \u00e9lectroniques et se manifeste sous forme de bruit de lecture et de bruit thermique. Le bruit de lecture est le produit des variations dans la conversion de la lumi\u00e8re analogique en informations num\u00e9riques par le capteur. Le bruit thermique est le produit de l&#039;\u00e9chauffement du capteur, par exemple lors d&#039;une longue exposition. Tout ce bruit est exacerb\u00e9 par l&#039;augmentation de l&#039;ISO, car ce qui se passe dans ce sc\u00e9nario est l&#039;amplification d&#039;un signal constant. C&#039;est le bruit num\u00e9rique qui nous int\u00e9resse principalement.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il existe deux types de bruit que nous pouvons r\u00e9duire en photographie num\u00e9rique : le bruit de luminance et le bruit de couleur. Le bruit de luminance appara\u00eet sous forme de points noirs et blancs granuleux dans une image. Le bruit de couleur appara\u00eet sous forme de points ou de pixels color\u00e9s. Normalement, vous aurez les deux !<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"can-we-reduce-noise-in-the-camera\">Pouvons-nous r\u00e9duire le bruit dans l\u2019appareil photo ?<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Il est impossible d&#039;\u00e9liminer compl\u00e8tement le bruit num\u00e9rique, mais nous pouvons faire beaucoup pour le minimiser en \u00e9quilibrant l&#039;ISO, l&#039;ouverture et la vitesse d&#039;obturation pour produire une exposition optimale. Trop sombre et nous devrons augmenter l&#039;exposition lors du traitement, trop clair et nous perdrons des d\u00e9tails dans les hautes lumi\u00e8res.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&#039;image suivante a \u00e9t\u00e9 prise avec le capuchon de l&#039;objectif en place et aucune lumi\u00e8re n&#039;\u00e9tait donc disponible pour le capteur. C&#039;est un noir aussi pur qu&#039;il est pratiquement possible de photographier.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-1024x683.jpg\" alt=\"\" class=\"wp-image-7910\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-1024x683.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-300x200.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-768x512.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-1536x1024.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-18x12.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Aucun bruit de tir<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">L&#039;image suivante, prise \u00e0 <a href=\"https:\/\/chriswright.photography\/fr\/understanding-iso-in-digital-photography\/\" data-type=\"post\" data-id=\"7210\">ISO 100<\/a>, ne montre que du bruit num\u00e9rique. C&#039;est la m\u00eame photo augment\u00e9e de 5 stops lors du traitement. J&#039;ai radicalement r\u00e9duit les noirs et augment\u00e9 les hautes lumi\u00e8res pour que cela soit \u00e9vident m\u00eame sur un site Web. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">L&#039;appareil photo est un Canon 5D S - 50 Mpx Digit 6 Processor. C&#039;est l&#039;appareil photo que j&#039;utilise pour toutes mes photos de paysage. Et c&#039;est un tr\u00e8s bon appareil photo. Le capteur \u00e9tait r\u00e9volutionnaire au moment de sa sortie.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-with-Noise-1-1024x683.jpg\" alt=\"\" class=\"wp-image-7912\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-with-Noise-1-1024x683.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-with-Noise-1-300x200.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-with-Noise-1-768x512.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-with-Noise-1-1536x1024.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-with-Noise-1-18x12.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Black-Photo-with-Noise-1.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Bruit num\u00e9rique<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">En r\u00e9alit\u00e9, avec ce capteur, sur une image normalement expos\u00e9e, le bruit serait imperceptible. Il serait submerg\u00e9 par le signal, c&#039;est-\u00e0-dire l&#039;image. Ainsi, lorsque nous parlons d&#039;optimiser l&#039;exposition, nous parlons en quelque sorte du rapport signal\/bruit. Nous ne pouvons pas \u00e9liminer compl\u00e8tement le bruit, mais nous pouvons le surmonter avec le signal, c&#039;est-\u00e0-dire la lumi\u00e8re.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Prenons une image r\u00e9elle, avec un rapport signal\/bruit m\u00e9diocre. Dans l&#039;ombre se cache une quantit\u00e9 impressionnante de bruit num\u00e9rique !<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Cette photo a \u00e9t\u00e9 expos\u00e9e pour le ciel, \u00e0 ISO 1600, juste apr\u00e8s l&#039;aube dans les Picos de Europa.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Dark-Landscape-1024x683.jpg\" alt=\"\" class=\"wp-image-7913\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Dark-Landscape-1024x683.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Dark-Landscape-300x200.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Dark-Landscape-768x512.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Dark-Landscape-1536x1024.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Dark-Landscape-18x12.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Dark-Landscape.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Expos\u00e9s pour le ciel<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Voici une portion de la m\u00eame photographie, dans Adobe Lightroom, exposition 1,25 fois pour \u00e9claircir l&#039;image, grossissement 400%. C&#039;est une cacophonie de bruit num\u00e9rique et d&#039;artefacts.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"479\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Noise-at-400-percent-1024x479.jpg\" alt=\"Noisy Photo! 1.25 stop exposure increase to show noise\" class=\"wp-image-7914\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Noise-at-400-percent-1024x479.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Noise-at-400-percent-300x140.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Noise-at-400-percent-768x359.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Noise-at-400-percent-1536x718.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Noise-at-400-percent-18x8.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Noise-at-400-percent.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">D\u00e9tail apr\u00e8s 1,25 arr\u00eat R\u00e9glage de l&#039;exposition.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Envoyons cette photo vers PureRAW 3 pour la r\u00e9gler avec DxO DeepPRIME. Toutes les corrections optiques sont d\u00e9sactiv\u00e9es, donc uniquement la r\u00e9duction du bruit.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"479\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMED-1024x479.jpg\" alt=\"Notification of Completion PureRAW\" class=\"wp-image-7915\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMED-1024x479.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMED-300x140.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMED-768x359.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMED-1536x718.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMED-18x8.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMED.jpg 1980w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">DeepPRIME&#039;d<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Je dois dire que m\u00eame sur le site Web, cette version semble \u00eatre une am\u00e9lioration. Regardons cela de plus pr\u00e8s.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"479\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMEd-at-400-percent-1-1024x479.jpg\" alt=\"Noise Reduction with DeepPRIME\" class=\"wp-image-7917\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMEd-at-400-percent-1-1024x479.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMEd-at-400-percent-1-300x140.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMEd-at-400-percent-1-768x359.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMEd-at-400-percent-1-1536x718.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMEd-at-400-percent-1-18x8.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIMEd-at-400-percent-1.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00c9limination du bruit de couleur avec DeepPRIME<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Le bruit de couleur est quasiment \u00e9limin\u00e9 au 400% avec le m\u00eame r\u00e9glage de 1,25 stop qu&#039;avant. M\u00eame sur le site Web, vous pouvez le constater clairement. L&#039;image est un peu plus douce, mais c&#039;est une constante avec la r\u00e9duction du bruit. Je n&#039;ai effectu\u00e9 aucun r\u00e9glage pour cela dans ce test.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Pouvons-nous encore am\u00e9liorer cela en utilisant DeepPRIME XD ? M\u00eames param\u00e8tres, pas de corrections optiques.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"479\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/XD-1024x479.jpg\" alt=\"Noise Reduction with DeepPrime XD\" class=\"wp-image-7918\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/XD-1024x479.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/XD-300x140.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/XD-768x359.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/XD-1536x718.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/XD-18x8.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/XD.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">PRIME XD profond<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Presque tout le bruit est \u00e9limin\u00e9 ici, il y a un peu plus de douceur \u00e0 mon \u0153il, mais il est peu probable que cela soit visible \u00e0 pleine taille. Regardons cela de plus pr\u00e8s.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-1-1024x683.jpg\" alt=\"\" class=\"wp-image-7920\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-1-1024x683.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-1-300x200.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-1-768x512.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-1-1536x1024.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-1-18x12.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-1.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Taille normale, exposition d&#039;origine.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Augmentons l&#039;exposition sur les ombres uniquement.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-plus-one-1024x683.jpg\" alt=\"\" class=\"wp-image-7921\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-plus-one-1024x683.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-plus-one-300x200.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-plus-one-768x512.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-plus-one-1536x1024.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-plus-one-18x12.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/DeepPRIME-XD-at-normal-size-plus-one.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Ombres \u00e9claircies apr\u00e8s DeepPRIME XD<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Essayons ceci sur une copie du fichier RAW d&#039;origine dans Adobe Denoise, l&#039;outil am\u00e9lior\u00e9 par l&#039;IA introduit dans Adobe Lightroom l&#039;ann\u00e9e derni\u00e8re.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"479\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Enhance-1024x479.jpg\" alt=\"\" class=\"wp-image-7922\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Enhance-1024x479.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Enhance-300x140.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Enhance-768x359.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Enhance-1536x718.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Enhance-18x8.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Enhance.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Adobe Denoise<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">L&#039;interface d&#039;Adobe est simple et tr\u00e8s claire. Le temps de traitement pr\u00e9vu est long, mais \u00e0 peu pr\u00e8s le m\u00eame que celui de DxO Deep PRIME, donc rien \u00e0 redire. Adobe refuse \u00e9galement de travailler sur les fichiers JPEG, ce qui m&#039;a surpris car l&#039;approche de DxO se fait au niveau RAW.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"479\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-denoise-detail-1-1024x479.jpg\" alt=\"Adobe denoise detail\" class=\"wp-image-7924\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-denoise-detail-1-1024x479.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-denoise-detail-1-300x140.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-denoise-detail-1-768x359.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-denoise-detail-1-1536x718.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-denoise-detail-1-18x8.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-denoise-detail-1.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Adobe denoise \u2013 d\u00e9tail<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Il faudra regarder de tr\u00e8s pr\u00e8s, mais il y a un halo visible autour de la ligne du rocher vertical et beaucoup moins de d\u00e9tails dans les rochers. Je dirais que c&#039;est une am\u00e9lioration consid\u00e9rable par rapport aux anciens outils Adobe, mais pas tout \u00e0 fait au m\u00eame niveau que DxO. <\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Full-Edit-1024x576.jpg\" alt=\"\" class=\"wp-image-7925\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Full-Edit-1024x576.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Full-Edit-300x169.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Full-Edit-768x432.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Full-Edit-1536x864.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Full-Edit-18x10.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/Adobe-Full-Edit.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00c9dition Adobe Lightroom avec suppression du bruit appliqu\u00e9e<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Cela \u00e9tant dit, nous observons les pixels \u00e0 un degr\u00e9 que la plupart des gens ne verraient pas. Comparez cette image, une modification rudimentaire r\u00e9alis\u00e9e dans Adobe Lightroom consistant \u00e0 assombrir les ombres et \u00e0 rehausser tr\u00e8s l\u00e9g\u00e8rement les hautes lumi\u00e8res dans la courbe des tons, \u00e0 masquer le nuage et \u00e0 introduire plus de lumi\u00e8re et un l\u00e9ger refroidissement de la temp\u00e9rature des couleurs.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/02A7623_DxO-1-1024x576.jpg\" alt=\"\" class=\"wp-image-7927\" srcset=\"https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/02A7623_DxO-1-1024x576.jpg 1024w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/02A7623_DxO-1-300x169.jpg 300w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/02A7623_DxO-1-768x432.jpg 768w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/02A7623_DxO-1-1536x864.jpg 1536w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/02A7623_DxO-1-18x10.jpg 18w, https:\/\/chriswright.photography\/wp-content\/uploads\/2024\/02\/02A7623_DxO-1.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">DxO PhotoLab avec deepPRIME et corrections optiques<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Avec cette photo r\u00e9alis\u00e9e avec DxO PhotoLab, m\u00eames retouches rudimentaires, un l\u00e9ger r\u00e9chauffement introduit dans la balance des blancs. Il semble y avoir plus de d\u00e9tails dans les falaises \u00e0 droite de l&#039;\u00e9cran et des nuages plus r\u00e9alistes au centre (bien que cela puisse \u00eatre une erreur de l&#039;utilisateur dans la retouche Adobe). Si vous regardez de plus pr\u00e8s, vous verrez plus de couleurs dans les falaises \u00e0 gauche.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\" id=\"the-winner-noise-reduction-in-dx-o-photo-lab-vs-adobe-lightroom\">Le gagnant \u2013 R\u00e9duction du bruit dans DxO PhotoLab vs. Adobe Lightroom<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Subjectivement, je pense que la version DxO est techniquement meilleure si ce n&#039;est pas une contradiction, les d\u00e9tails sont l\u00e0 et m\u00eame si j&#039;ai trop bross\u00e9 \u00e0 quelques endroits sur les nuages, je pense que c&#039;est ma version pr\u00e9f\u00e9r\u00e9e.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">N&#039;oubliez pas que cette image a commenc\u00e9 sa vie avec des probl\u00e8mes de bruit majeurs, donc je pense que les deux r\u00e9sultats sont tr\u00e8s bons, Adobe a consid\u00e9rablement am\u00e9lior\u00e9 son jeu avec la nouvelle capacit\u00e9 de r\u00e9duction du bruit, il sera int\u00e9ressant de voir o\u00f9 cela va \u00e0 partir de maintenant.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>","protected":false},"excerpt":{"rendered":"<p>Quel logiciel de r\u00e9duction du bruit est le meilleur en 2024 ? Est-ce la r\u00e9duction du bruit dans DxO PhotoLab utilisant DeepPRIME dans toutes ses versions, ou est-ce Adobe denoise, nouvellement introduit en 2023 ? DxO PhotoLab ou Adobe Lightroom ? Vid\u00e9o Jusqu&#039;en 2023, DxO avait une longueur d&#039;avance consid\u00e9rable sur Adobe avec\u2026<\/p>\n<div class=\"excerpt_sharing_after_output\">\n<div class=\"kt_simple_share_container kt-social-align-center kt-socialstyle-style_03 kt-social-size-normal kt-social-bg-transparent\"><a class=\"kt_facebook_share\" data-placement=\"bottom\" data-placement-mobile=\"bottom\" aria-label=\" Facebook\" data-tooltip=\" Facebook\" href=\"https:\/\/www.facebook.com\/sharer.php?u=https:\/\/chriswright.photography\/fr\/noise-reduction-in-dxo-photolab\/\" target=\"_blank\"><span class=\"kt-social-svg-icon\"><svg viewbox=\"0 0 264 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M76.7 512V283H0v-91h76.7v-71.7C76.7 42.4 124.3 0 193.8 0c33.3 0 61.9 2.5 70.2 3.6V85h-48.2c-37.8 0-45.1 18-45.1 44.3V192H256l-11.7 91h-73.6v229\"\/><\/svg><\/span><\/a><a class='kt_pinterest_share kt_no_pop_window' data-toggle='tooltip' data-placement='bottom' 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113.6-24.3 0-42.6-20.1-36.7-44.8 7-29.5 20.5-61.3 20.5-82.6 0-19-10.2-34.9-31.4-34.9-24.9 0-44.9 25.7-44.9 60.2 0 22 7.4 36.8 7.4 36.8s-24.5 103.8-29 123.2c-5 21.4-3 51.6-.9 71.2C65.4 450.9 0 361.1 0 256 0 119 111 8 248 8s248 111 248 248z\"\/><\/svg><\/span><\/a><a class=\"kt_reddit_share\" data-placement=\"bottom\" data-placement-mobile=\"bottom\" aria-label=\" Reddit\" data-tooltip=\" Reddit\" href=\"https:\/\/reddit.com\/submit?url=https:\/\/chriswright.photography\/fr\/noise-reduction-in-dxo-photolab\/&amp;title=Noise Reduction in DxO PhotoLab\" target=\"_blank\"><span class=\"kt-social-svg-icon\"><svg viewbox=\"0 0 512 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M440.3 203.5c-15 0-28.2 6.2-37.9 15.9-35.7-24.7-83.8-40.6-137.1-42.3L293 52.3l88.2 19.8c0 21.6 17.6 39.2 39.2 39.2 22 0 39.7-18.1 39.7-39.7s-17.6-39.7-39.7-39.7c-15.4 0-28.7 9.3-35.3 22l-97.4-21.6c-4.9-1.3-9.7 2.2-11 7.1L246.3 177c-52.9 2.2-100.5 18.1-136.3 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class=\"kt_email_share\" data-placement=\"bottom\" data-placement-mobile=\"bottom\" aria-label=\" Courriel\" data-tooltip=\" Email\" href=\"mailto:?subject=Noise Reduction in DxO PhotoLab&#038;body=https:\/\/chriswright.photography\/fr\/noise-reduction-in-dxo-photolab\/\" target=\"_blank\"><span class=\"kt-social-svg-icon\"><svg viewbox=\"0 0 512 512\"  fill=\"currentColor\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"  aria-hidden=\"true\"><path d=\"M464 64H48C21.49 64 0 85.49 0 112v288c0 26.51 21.49 48 48 48h416c26.51 0 48-21.49 48-48V112c0-26.51-21.49-48-48-48zm0 48v40.805c-22.422 18.259-58.168 46.651-134.587 106.49-16.841 13.247-50.201 45.072-73.413 44.701-23.208.375-56.579-31.459-73.413-44.701C106.18 199.465 70.425 171.067 48 152.805V112h416zM48 400V214.398c22.914 18.251 55.409 43.862 104.938 82.646 21.857 17.205 60.134 55.186 103.062 54.955 42.717.231 80.509-37.199 103.053-54.947 49.528-38.783 82.032-64.401 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