Which RAW Processing Software is Best For Me?
The vexed question of which RAW processing software is best for me is one for which I have no definitive answer. This article assesses in as scientific a manner as I can muster, the suitability of Photo Processing Software that I have significant experience of.
These are, in no particular order:
- Adobe Lightroom – 10 years +
- Adobe Photoshop – 10 years +
- DxO PhotoLab – 7 years
- Capture One – 5 years
- Affinity Photo – 1 year
- Photomator – less than one year

DxO Valentines Day Offer
For one day only, you can get a 20% Discount on new purchases of DxO software – 14 February. Use this code PAR_182019116_DJCEAFYP5DNQ at this link – DxO Online Store
If you miss this offer, don’t despair, there will be others in the not too far distant future! Check back in a week or so.
Table of Contents
Marking & Assessing
There will be no weighting, instead there is a straightforward rating out of three in each category. Final results are separated into three categories – Beginner, Improving and Advanced. I’ve taken these categories from my tennis playing days, as I find them more appropriate than any kind of Pro – Amateur separation. In photography as in life, there are professionals whose skill levels are lower than some amateurs.

Criteria
Aesthetics and Usability
I’m going to compile a table assessing the look and feel of each app and the level of intuitive usability that has been brought to bear on each one.
Basic Edits
This table covers basic global edits – Exposure, Contrast, Color Temperature, Cropping, Lens Correction.
Selective Edits (Sliders)
These sliders allow some level of selective editing – Highlights, Shadows, Blacks, Whites, Curves, Levels, HSL, Color Grading, Color Calibration
Selective Edits (Masks)
These cover the ease and usability of Masking Tools and where applicable, Layers.

In the order in which they appear at the top of the article…
Aesthetics, Usability and Basic Editing
Aesthetics and Usability 9278_06d772-79> | Layout 9278_f3ff3a-20> | Sliders 9278_8548f1-96> | Machine Learning 9278_c31080-12> | Preview 9278_b2865d-ae> | Affordability 9278_690713-b2> | Total 9278_a2c57d-93> |
Adobe Lightroom 9278_2dfb5c-79> | *** 9278_e686b9-45> | *** 9278_9aaf0c-7e> | *** 9278_a3ac46-0e> | *** 9278_be529f-cb> | ** 9278_5887da-03> | 14 9278_8194c7-31> |
Adobe Photoshop 9278_e27320-95> | * 9278_8286fc-4c> | ** 9278_aa7a34-b6> | *** 9278_14fe5b-c2> | *** 9278_ad49f9-6e> | ** 9278_c35d61-a2> | 11 9278_9db934-bb> |
DxO PhotoLab 9278_cb7fe9-17> | *** 9278_8a210a-76> | ** 9278_f7baa1-c5> | *** 9278_37dc87-58> | *** 9278_df868b-29> | ** 9278_b6e887-f1> | 13 9278_3d4b11-e7> |
Affinity Photo 9278_cb9b4b-e2> | ** 9278_7c7990-ef> | ** 9278_9a1bbb-55> | *** 9278_77d424-14> | *** 9278_50855d-84> | *** 9278_1a58f2-b5> | 13 9278_df788d-db> |
Photomator 9278_67acd1-7a> | *** 9278_7f33f9-3e> | *** 9278_9ad783-35> | *** 9278_d154a2-da> | *** 9278_e30e8a-08> | *** 9278_7e2bb2-4c> | 15 9278_352427-1b> |
Capture One 9278_c4d601-24> | *** 9278_64f202-53> | *** 9278_4a4693-03> | *** 9278_ab561f-16> | *** 9278_c709c6-6d> | * 9278_6501d5-1a> | 13 9278_a9d557-0f> |
Basic Controls 9278_598bad-c1> | Exposure 9278_bfa9ff-2a> | Contrast 9278_aa6d98-53> | Color Temperature 9278_c91bc1-fd> | Cropping 9278_17aea2-fa> | Lens Corrections 9278_ada51c-fd> | Total 9278_151b6b-f8> |
Adobe Lightroom 9278_29969d-2d> | *** 9278_875c23-fc> | *** 9278_13ccec-26> | *** 9278_7e5615-26> | *** 9278_5461b7-59> | ** 9278_0a8677-41> | 14 9278_962b3d-d7> |
Adobe Photoshop 9278_86394f-51> | * 9278_ef0bfa-c7> | ** 9278_55a26b-d8> | *** 9278_0893d2-e9> | *** 9278_eb4dff-0f> | ** 9278_7bac74-a6> | 11 9278_dcf15a-e7> |
DxO PhotoLab 9278_61bce6-9b> | *** 9278_612d3a-c9> | ** 9278_a0a766-37> | *** 9278_42f132-86> | *** 9278_362894-81> | *** 9278_808c20-3a> | 14 9278_e31c22-dc> |
Affinity Photo 9278_0b92a8-e2> | ** 9278_c80914-e4> | ** 9278_b6aedd-65> | *** 9278_fafe63-1e> | *** 9278_71f1c9-97> | * 9278_a67c5d-80> | 11 9278_f761fe-04> |
Photomator 9278_8ae3b7-3d> | *** 9278_934136-8d> | *** 9278_e42dbd-d7> | *** 9278_f30296-89> | *** 9278_438e5e-b7> | n/a 9278_9a2049-e3> | 12 9278_d70cac-80> |
Capture One 9278_318316-34> | *** 9278_f5991a-f6> | *** 9278_9db624-7f> | *** 9278_d9bbb2-e5> | *** 9278_1b5332-78> | ** 9278_37312d-54> | 14 9278_1bad0d-ce> |
Selective Editing, Masks and Layers
Selective Edits 9278_fe4cca-33> | Highlights 9278_1d9245-90> | Shadows 9278_4d4d54-cc> | Blacks/Whites 9278_42c641-c9> | Curves 9278_4ec600-5c> | Levels 9278_1bb7c4-b1> | Total 9278_0367ca-17> |
Adobe Lightroom 9278_ec61e5-7d> | *** 9278_43a712-ff> | *** 9278_1dfb84-b1> | *** 9278_f7e0d0-9a> | *** 9278_e918c1-3d> | * 9278_9de928-a0> | 13 9278_3a1c73-83> |
Adobe Photoshop 9278_424ee6-d2> | *** 9278_746f9b-a2> | *** 9278_7f9667-b1> | *** 9278_f26be7-74> | *** 9278_73bf51-75> | *** 9278_927f55-33> | 15 9278_bf3d3b-53> |
DxO PhotoLab 9278_5d1a22-ea> | *** 9278_7278ae-18> | *** 9278_290ef8-b3> | *** 9278_1e0138-1d> | *** 9278_35f173-e3> | * 9278_defe96-a7> | 13 9278_5b9c4e-a2> |
Affinity Photo 9278_f15a2f-8f> | *** 9278_27a771-d7> | *** 9278_14bb8f-bb> | *** 9278_6f1f6f-6b> | *** 9278_7f5cdb-3d> | *** 9278_0bfaf4-be> | 15 9278_a73e63-5f> |
Photomator 9278_337898-0e> | *** 9278_b6f7c7-3c> | *** 9278_b03b29-b6> | *** 9278_b6f094-8e> | *** 9278_ad4cfc-4c> | *** 9278_30ca5c-cc> | 15 9278_be8ee8-35> |
Capture One 9278_65339a-0d> | *** 9278_4b5567-96> | *** 9278_80bf69-f3> | *** 9278_b08a36-39> | *** 9278_b58c9d-d5> | *** 9278_99bdba-70> | 15 9278_930fad-21> |
Color, Layers and Masking 9278_16bad6-97> | HSL 9278_7ac7a9-10> | Color Grading 9278_0b222e-01> | Color Calibration 9278_d5420b-3a> | Masks 9278_25b51a-94> | Layers 9278_51c760-90> | Total 9278_390dff-8a> |
Adobe Lightroom 9278_f4679f-19> | *** 9278_ee7bec-fe> | *** 9278_ba8ff1-20> | *** 9278_4af761-82> | *** 9278_17fe49-29> | * 9278_bad46a-32> | 13 9278_26adb2-a7> |
Adobe Photoshop 9278_364166-4c> | *** 9278_8bd0d8-f7> | *** 9278_4c40c6-83> | *** 9278_75edd6-63> | *** 9278_83f40e-3d> | *** 9278_795886-31> | 15 9278_7e90f5-b7> |
DxO PhotoLab 9278_b7c798-a4> | *** 9278_b0467f-dc> | *** 9278_a6e7d7-b6> | *** 9278_672a02-d5> | *** 9278_24aa9e-98> | * 9278_5f63a0-32> | 13 9278_dfe47c-51> |
Affinity Photo 9278_619184-3f> | *** 9278_80ffa9-7e> | *** 9278_d9a69b-21> | ** 9278_851b1c-27> | *** 9278_a95eee-d0> | *** 9278_b3817b-fc> | 14 9278_bb8ef3-5b> |
Photomator 9278_c0048b-54> | *** 9278_a79e42-b2> | *** 9278_502405-6c> | ** 9278_607199-34> | * 9278_ef3643-fe> | *** 9278_7c1157-8b> | 12 9278_73f7de-d3> |
Capture One 9278_5a0ce6-4f> | *** 9278_db8052-1f> | *** 9278_258342-2f> | ** 9278_b52e2a-a3> | *** 9278_521ae6-e8> | *** 9278_b2fb6c-32> | 14 9278_9bafb9-af> |
Notes:
Aesthetics and Usability – Adobe’s use of AI is very different to Affinity, DxO and Capture One where AI is restricted to a technical role e.g. Noise Reduction, or Edge Detection. Adobe are heading for a full blown graphically capable AI application which may or may not be popular with photographers. Reaction on Social Media has been to reject the more fanciful executions of AI as “not photography”.
Basic Controls – I have found DxO’s Lens Corrections slightly ahead of Adobe and Capture One. Photomator do not currently correct for lens distortion at all.
Selective Edits – What is not evident in these table is that DxO offer more sliders addressing midrange tones as well as Clearview which is similar to Dehaze in Lightroom. The overarching point though is whether a tool like Curves or Levels is “better” or more “usable” – my own preference is to use Curves and or Levels where possible as it gives me more control over smaller ranges of tones than the sliders. This is an objective observation and a subjective preference, tools like curves are more than capable of ruining an image in the hands of a novice.

Final Scores Per Table
Unsurprisingly, these applications are extremely difficult to separate. All of the functionality is executed to a very high standard in every application so the separation tends to be on the basis of “less good” rather than “poor”.
Table 1 – Beginners and Improvers
In the Aesthetics, Usability and Basic Editing Table, the scores were as follows.
DxO PhotoLab
27 points. DxO PhotoLab has more aggressive sliders than any of the competitors which take a little bit of getting used to. It is not unreasonably priced, but upgrades appearing every year, although welcome, put it in the same affordability bracket as Adobe.
Adobe Lightroom
27 points. I penalised Lightroom on affordability (a subscription model) and on the quality of lens corrections which although decent, are not as good as DxO’s in my opinion.
Capture One
27 points. My experience of Capture One is not current, but based on extensive studio work in the past at which it excels. They have introduced HDR and Panorama stitching since those days and the only thing to criticise them for is the price which in my view is excessive!
Photomator
27 points. Penalised for a total lack of lens corrections, otherwise perfect scores. I would recommend Photomator for anybody new to RAW processing because it is very intuitive indeed.
Adobe Photoshop
26 points. Important to point out that Photoshop contains Adobe Camera RAW which is Lightroom without the catalog.
Affinity Photo
24 points. I penalised Affinity on Lens Corrections (Not as good as DxO) and in the sliders category – this is a subjective judgement on general look and feel, I’m much more impressed by the functionality of Affinity than I am by the look of it. It is though, as complicated as Photoshop and therefore not ideal for beginners.
Table 2 – Improvers and Advanced Users
Affinity Photo
30 points. A very capable competitor for Photoshop at a fraction of the price.
Adobe Photoshop
30 points. Perfect score as you might expect from the market leader.
Capture One
29 points. Certainly my favourite RAW processor back in the day. Only price keeps this application off my computer.
Adobe Lightroom
26 points. No levels tool and no support for layers that is compatible with Photoshop.
DxO PhotoLab
26 points. Penalised for lack of support for layers and one substandard tool – the repair/clone tool. Otherwise superb and, it should be acknowledged that the local adjustment paradigm does not need layers necessarily.
Photomator
26 points. A surprisingly capable editor let down by the lack of lens corrections and sketchy implementation of masks. I suspect Apple will improve this.
Conclusion
If I wasn’t convinced before, I certainly am now. All of these types of comparison are flawed because there is no objective comparison of the tools quality. None of these applications are poor, some of them could do better in ways which really are subjective. To try and apply some more useful criteria, taking the scores here into account I offer these recommendations.
Complete Beginner
I’ll accept no debate about this, it’s Photomator by a mile. In second place is DxO PhotoLab. The reason I choose Photomator over PhotoLab is simply that although PhotoLab is reasonably intuitive, it is more complex and it has one tool, the repair/clone tool that a beginner might use, that could be substantially improved.
Improver
A dead heat between Adobe Lightroom and DxO PhotoLab. They have different strengths but I’ve been using both for about seven years. The quality of DxO’s RAW conversion, noise reduction and lens corrections is unparalleled. Lightroom has a better catalogue and Color Calibration which does in one slider what takes a combination of sliders to achieve in PhotoLab.
Advanced
Lightroom/Photoshop or Capture One for professional use, Affinity Photo and DxO PhotoLab for advanced enthusiasts.
Capture One has the best tethering interface for studio work, Affinity Photo gives Photoshop a run for its money at a fraction of the price and DxO’s strengths far outweigh its few weaknesses.
I hope this is useful, remember the Valentines’ day offer of 20% off DxO products – For one day only, you can get a 20% Discount on new purchases of DxO software – 14 February. Use this code PAR_182019116_DJCEAFYP5DNQ at this link – DxO Online Store
You can also check out my review of PhotoLab 8 and my recent review of PhotoLab 9
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